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Licence To Queer
From No to Never: the Connery charity fundraiser
From No to Never: the Connery charity fundraiser

This year’s charity watchalong is all 007 of Connery’s Bond films, back to back. Join us for some or all of it on 29 and 30 May to help us raise funds to prevent suicide.

Book Review: Hurricane Room
Book Review: Hurricane Room

JAMES BOND IS ALIVE. That’s not a spoiler as it's there on the cover. But in what state will he be after being imprisoned for so long by the enemy? (Please note this review does not contain any spoilers, besides the one on the cover!)

Inside the Hurricane Room: learning to cope like James Bond
Inside the Hurricane Room: learning to cope like James Bond

James Bond is not always the best role model for staying mentally healthy. When faced with battles in his own brain, he’s far likelier to slip into avoidance behaviours (martinis, girls, guns) than deal with them head on. Even so, within the pages of the original Fleming’s books, we find that Bond’s creator was ahead of his time: he was not only interested in the treatment of mental difficulties, but also armed 007 with a coping technique recommended by professionals today.

Anything Bond can do, Bond Girls can do better
Anything Bond can do, Bond Girls can do better

Nobody does it better than 007, allegedly. For International Women’s Day - and in the interests of equity - let’s celebrate six occasions where women showed Bond they’re not merely his equal, but can do things better than him.

Licence To Queer covers queer aspects of Bond books, video games and more. Search here for your favourite titles and characters or find content related to particular queer identities (lesbian, gay, bisexual, trans, etc).

David Lowbridge-Ellis MBE David Lowbridge-Ellis MBE

Queer re-view: Die Another Day

Non-binariness is baked into the very DNA of Die Another Day and not even experimental gene therapy can alter that. Although there are binaries aplenty - a dual mission, fire and ice, a duelling dual showdown over a divided country - the film rejects any earnest attempt to pin it down as one thing or another. Fear contends with desire in a cockfight to the death. Analyse this.

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